![]() But it also indulges a child-like desire in adults to scribble all over the walls, handing back a kind of creative freedom. It was primarily designed with children in mind. The primary joy of this exhibit is how much it invites, and centres on, play. What forces allowed them to, repeatedly, yet organically, spring up and grow across the entire summer of this project?Īnna Piper-Thompson at the exhibit Maddy Allardyce All the other interior objects in the house are absorbed into the mix of colour, as you are hit by an explosion of colour surrounding you on all sides. The rainbows appear to wrap around the entire apartment in a bow when the exhibit is viewed in its entirety from the balcony, becoming the only discernible feature when viewed this way. There are also large arching, swooping rainbows in every room. A personal favourite of mine was people’s tendency for creating faces with little “o” shaped mouths on the mirror (which I added my own to). Patterns emerge, wherever you look, whether purposeful or accidental, in the ways people have chosen to use their stickers. ![]() She asks us to engage with it and to allow our creativity to flow through it. However, here she hands us her medium in the form of a sheet of dot stickers. ![]() Kusama has repeatedly used the dot motif across her career. It was primarily designed with children in mind But this white was not from Kusama’s apartment, rather it was created from the sticker sheets left from people’s “obliteration”, forming a carpet across the space. The majority of the white was concentrated in the final room. The one rule is that you use all the stickers you’re given within the space.īy the time I visited in late August, there was little white left. The aim is for visitors to completely transform the space through their own creative choices, by placing circular stickers wherever they desire the artistic creation is entirely placed within your hands. The exhibit begins its life as an entirely white space: a monochromatic home with a lounge, kitchen, bedrooms and playroom. By the end of the show’s four-month duration, the abode was completely cloaked in the red flowers, as if nature had reclaimed an abandoned space.First staged in the Queensland Art Gallery in 2002, Yayoi Kusama’s “Obliteration Room” has been on display at the Tate Modern this summer, in partnership with the Japanese retail brand UNIQLO as part of the “UNIQLO Tate Play” project at the gallery. While there, people were handed faux Gerbera daisies and flower stickers and invited to place them wherever they’d like-from the floors to the furniture. Kusama’s installation is called Flower Obsession, and it was a staged apartment created for the inaugural National Gallery of Victoria Triennial. Instead of layering a rainbow array of circles, blossoming flowers are on display. One of her latest commissions tweaks the obliteration concept ever so slightly and makes it feel totally fresh. Perhaps best known for creating immersive and infinite spaces called Mirror Rooms, another facet of her career revolves around the Obliteration Room, in which viewers “obliterate” otherwise ordinary interior spaces with colorful dot stickers. ![]() Japanese artist Yayoi Kusama is a living legend thanks to her whimsical, awe-inspiring installation art. We may earn revenue from the products available on this page and participate in affiliate programs. ![]()
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